In A Far-Away Land...

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In A Far-Away Land...

You know how most fairytales begin by specifying that either the events of the story or the Prince/Princess live in a “Faraway Land”?

That’s us. All of us.

We are all the people in extraordinary circumstances living out strange stories in our own personal faraway lands. (Though I’m not sure if that take makes me feel better or worse about it…)

What we have at our disposal however, which the characters of the fairytales sorely lack, is a way to communicate between our faraway lands. A way to peek through small windows into the other peoples’ lives. A way to connect.

Is it as wonderful as being able to ride a steed or step through a portal and be fully immersed in another space?

No, certainly not.

But we do have this technology to give us an advantage. An advantage allowing for new and continued connection, friendship, and creation.

Today, I would like to share some of my quarantine connections, and how they’ve worked (or not worked).

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Just The Perfect Blendship

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Just The Perfect Blendship

One of the absolute best parts of the theater that I feel people don’t talk about enough is the people - the community.

Sure, every June as we all get ready to sit down together in NYC and across the country to watch the Tony Awards, or are preparing for one of the major benefits like Broadway Bares, or even just during Pride Month in general, theatrical and non-theatrical publications will talk briefly about how Broadway is a community. And it is! It’s a fantastic community with the same pros and cons that any community might have.

But only “Broadway” is discussed as being the community itself.

And as soon as you call something the “Broadway” community, there is an innate elitism to that term - whether geographically or in terms of production budget - which gets thrown into everyone’s minds.

But what is this Broadway community? Is it just the thousands of people actively working in NYC’s largest theatrical houses? Just those who contribute to the city’s multi-billion dollar industry?

I don’t think so, no.

I think the Broadway community is far larger than that. Personally, I would consider the Broadway community to include anyone and everyone working in theatre across the entire country. I would even consider the Broadway community to include the multitude of theatre lovers - those who don’t necessarily work in the industry, but participate through other means by supporting those who do, or even just attending all productions they can and keeping tabs on what’s happening in the industry.

In my opinion, it is crucial to consider everyone involved in the theatre everywhere as part of the Broadway community.

“But why?”

Allow me to explain!

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