How To Listen

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How To Listen

One of the most important skills we have as human beings is our ability to communicate, and to do so effectively.

However, one could easily argue that - societally speaking - we have not been communicating effectively with one another, or have only been doing so with a select group of people. The events of the past ten days seem like blatant proof of that.

A large part - if not the largest part - of effective communication and the subsequent forward momentum of progress is:

Active Listening.

We - and I’m speaking to the heavily White majority of my readership here - are being asked right now to Actively Listen to our Black peers, friends, family, colleagues, allies, acquaintances, and all Black voices across the country.

So how do we do this? What does this mean? Where to start?

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What Is Quarantine Theatre?

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What Is Quarantine Theatre?

This is a big question, and one that many people are currently trying to answer:

How can we make and perform theatre from our current states of quarantine and extreme social distance?

I’ve seen and heard this topic explored all over the place, particularly over the past two weeks, as we all look forward into a summer likely to leave theaters across the country (and the world) with nothing but well-lit ghosts.

I’ve personally seen this question posed by:

  • The Dramatists Live (hosted by Joey Stock, Amanda Green, and Christine Toy Johnson weekly)

  • Lauren Gunderson on her Howlround TV show (excellent, by the way!)

  • Ken Davenport in his blog

  • Multiple Artistic Directors of professional theaters

  • The heads of several University Theatre Departments

  • Teaching Artist friends and colleagues

  • And several quarantine-specific online creator groups

And if that’s just what I’ve seen - without specifically searching on this topic - I imagine that theatrical people everywhere are looking for these same answers.

So, what are people coming up with?

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In Review: "Slave Play"

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In Review: "Slave Play"

Fulfilling another of my promises for the second year of The Glamorous Life Blog, we begin my In Review series with Slave Play by Jeremy O. Harris.

[*Quick note about In Review: I’m calling this series “In Review” and not an “actual” review because: I am not a paid theatre critic. I firmly believe that everyone has opinions and a voice and, therefore, has the ability to write a critical analysis if they so choose. However we should distinguish between paid critique and non. “In Review” is merely my take in looking back upon the work I have experienced, which I hope you will find interesting and informative!]

I had put off seeing Slave Play for as long as I could, which was in large part due to the inability of my peers to describe to me anything about the play without “giving it away” and this idea that “it just has to be experienced.”

That sort of vaguery is off-putting to me and, alas, I fell victim to my own stubbornness yet again, putting it off until last weekend. And I really really wish I hadn’t. (Slave Play closes this Sunday 1/19)

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A Spoonful Of Sugar...

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A Spoonful Of Sugar...

This may not be true for everyone, but for me the holiday season is the time of year when I go to the movies the most. Actually, it’s the only time of year I see movies consistently, which I’m beginning to believe is something I need to change.

As you might guess from the title of this post - and my picture from the Ithaca movie theater - I saw Mary Poppins Returns over the holidays. Personally, I thought it was absolutely marvelous and everything I wanted in a sequel to such a classic film filled with music, heart, and magic. I cried at least 3 times, which is generally a good indication that something went right. :-)

But there was more to my experience than just an excellent film. So much more.

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