4 Big Things Vocalists Know That Writers Probably Don’t (But Need To)

Writing musical theatre for actual vocal performers is not something we talk about enough, or even often teach. And we should!

Not only do you want to make sure you’re writing for the voice in a way that’s healthy for the singers, but you also want to make sure that you’re writing in a way that’s going to elicit the sounds, emotions, and tones you are intending. Se, let’s talk about it!


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For Performers:

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For Writers:

Michael's TOP 10 STRUCTURE TIPS: https://michael-radi.mykajabi.com/structure-tips-email

MR Creative Studio LIBRETTO FORMATTING GUIDE: https://michaelradi.thrivecart.com/libretto-formatting-guide/


Do you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers?

Then check out the MUSICAL THEATRE WRITING COLLECTIVE or MT WRITING COLLECTIVE COURSE!


One of My Favorite Writing Books:

(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)

The Writer’s Journey by Christopher Vogler:

Bookshop.Org Link

Amazon Link


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Musical Theatre Writer Guy was written and recorded on the traditional and unceded territory of the Munsee Lenape and Canarsie People.